ALEXA CHUNG'S 'HOT ONES' EPISODE IS 24 MINUTES OF FASHION-NERD DELIGHT

ALEXA CHUNG'S 'HOT ONES' EPISODE IS 24 MINUTES OF FASHION-NERD DELIGHT
In this house, we at Fashionista very healthily worship Alexa Chung, and have since at least 2009, when the then-26-year-old "It" Brit moved to New York to host MTV's "It's On With Alexa Chung." We've chronicled the ebbs and flows of her career with as much precision as we have the designers of major fashion houses, from her Longchamp campaigns to her book launches to her makeup lines to, most recently, her eponymous fashion brand.
You can imagine our delight, then, when we learned late last month that Chung had joined host Sean Evans on an upcoming episode of First We Feast's "Hot Ones," in which Evans interviews guests while eating progressively spicier chicken wings. (In the interests of journalistic integrity, we should report that Chung, who is a vegetarian, ate vegan nuggets.) Well, my friends, patience is a virtue, and that episode is finally here!
As it turns out, Evans is an enormous Chung fan himself, telling her at the start of the interview that "Hot Ones" is partly based on work she did in her early career, even going so far as to call her the "patron saint" of the episode. And, we get it: Chung is an excellent interviewer herself, but as per our speculation, she's also an excellent interviewee, using her 24 minutes of air time to rehash some of her more enlightening life experiences, like getting fired from a DJ set by Kate Moss at a Fendi party and feeling "like a piece of shit" having to corral celebrities while hosting the Golden Globes red carpet in 2011. At one point, Evans asked about the one thing that's "really as bad in the fashion industry as everyone says it is," to which the former model replies, "photographers being creepy," explaining: "It's always a little bit of a weird transaction, maybe. It can't not be," she said. "Because you're being observed and captured for a purely visual asset and they're the ones doing it."
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These Are 2017’s Most Popular Fashion Trends From All Over The World

These Are 2017’s Most Popular Fashion Trends From All Over The World
If you like to stay on top of fashion trends, looking at runway shows is a great place to start, but they’re not always indicative of popular trends in countries around the world.
Lucky for us, the folks at fashion retailer Long Tall Sally researched the top trends worn all over the globe. Not only is it interesting to see the trends people in other countries love, but the results also provide a little fashion inspiration for your wardrobe.
With the help of a trends expert, Long Tall Sally analyzed thousands of global trends via street style images, local influencers and Instagram posts. The trends were then cross-referenced with Instagram data from the last 12 months. The top trend in each country was determined by looking at the most frequently used trend-related hashtag.
For example, in Seoul, South Korea, oversized sleeves were determined to be the top trend, with 15,638 hashtags. In Bangkok, Thailand, millennial pink was all the rage, hashtagged 15,411 times, and over 2,420 Instagram posts in Nigeria showed love for off-the-shoulder looks.
The most classically simple trend, the plain white T-shirt, reigned supreme in France, while fashionistas in the United Kingdom were all about metallic shoes. In America, style differences between east and west were clear, with West Coasters loving their logo tees and East Coasters rocking colorful faux fur.
Check out some of the most Instagrammed trends from around the world below, posted by globe-trotting fashionistas from each country.
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Throwback time for fashion leads to innovation

Throwback time for fashion leads to innovation
As regular followers of Japanese fashion can attest, the industry can be seen as somewhat flirtatious, dallying with new debutantes, another sister brand, another collaboration, another short-term “limited shop” or another retail concept that makes the news but doesn’t really change the game.
It is tempting to focus on the frippery, even if we are aware that the clothes we deck ourselves in are on a fundamental level more similar than different as we drift from season to season. So why not take a moment to meditate on the retail and marketing concepts that have subtly changed our relationship with fashion?
There have been shifts exemplified by the likes of shopping mall Parco’s unexpectedly innovative new Parco_ya store, which opened in Tokyo’s Ueno district on Nov. 4. It might not have had the fanfare of an entry like the city’s new high-end Ginza Six building, but it marked a fundamental departure for Parco’s series of stores that are resolutely self-defined as “fashion buildings.” Despiteits cool underscore, Parco_ya is surprisingly traditional, or rather “neo-traditional,” given that Edo Period establishments couldn’t possibly have been quite as clean or glassy. Still, judging from the kamon-like (crest) logo to the bevy of traditional washoku cuisine eateries — a far cry from the allusions to the West favored by the Shibuya flagship — Japanese tradition is on-trend, even at a trailblazer like Parco
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Most children

Most children of the 90s will relate to a former irrational desire to own a pair of Buffalo trainers. The Spice Girls - who frequently endorsed the toweringly high shoes - sparked a ubiquitous trend for the statement shoes - although rumour has it that Victoria Beckham always hated them.
Well, proof that the 90s fashion renaissance is officially now complete, Buffalo trainers are back - and this time round, they're being positioned in a high fashion context. As from tomorrow (Friday 24 November), luxury store Browns Fashion will exclusively sell two of Buffalo's classic styles - and they've already attracted a waiting list.
"Buffalos were one of my all-time favourite shoes from the 90s, and I couldn’t be more excited for their return," said Browns womenswear buying director Ida Petersson. "We’ve had an incredible response from our customers requesting to be added to our waiting list and I’ll definitely be buying both pairs. I’ll be wearing them with either a pair of Ellery black vinyl trousers or with a floaty dress from the likes of Magda B, Vetements or Balenciaga."
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Why the fashion industry keeps failing to fix labour exploitation

Why the fashion industry keeps failing to fix labour exploitation
Worker exploitation is rampant in the global fashion industry, according to countless investigations, studies and reports. So why haven’t fashion brands cleaned up their acts?
Even if brands want to be part of the solution (as they are frequently asked to be) they are hindered by the current legal system. The problem is if brands are to eradicate labour exploitation, they must take more control of their supply chains. But if they take more control over their supply chains, they open themselves up to the risk of tremendous legal liability.
To effect real change in the global fashion industry, the countries where brands are headquartered need to reconsider their legal policies. The existing liability rules need to be amended to incentivise the brands’ direct involvement in labour issues in their chains.
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Seafolly are searching for their next model and it could be you

Seafolly are searching for their next model and it could be you
The next Gigi Hadid?
If models Gigi Hadid, Shanina Shaik and Jess Hart sound like company you’d like to keep, this latest news might just be for you.
Australian swim label Seafolly (you may have heard of them) are looking for a model to front their next campaign, meaning the likes of Hadid, Shaik and Heart might be closer than you think.
Looking for a “woman beyond a model, someone who personifies the Seafolly spirit and embraces the quintessential Australian beach lifestyle,” the search will be conducted on Instagram. In other words, it could be you.
Finalists will be announced every Friday in December (winning a $500 gift card in the meantime) with the winner appearing in an exclusive Seafolly shoot, receiving a Seafolly wardrobe valued at $5,000, plus a whole host of invitations to “exclusive events”.
Sound like something you’d be interested in? To enter, make sure you’re wearing the latest season of Seafolly, upload a photo of yourself wearing it in your favourite “summer spot”, tag @SeafollyAustralia, and hashtag #FacesOfSeafolly. Voila!
The winner will be announced on New Year’s Day in 2018 via Instagram.
Models including Miranda Kerr, Pia Miller and Jess Hart have been discovered through competitions, launching long and fruitful careers — proving you’ve got to be in it to win it.
Model in the making? Line up your photographer, stat.
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Rodgers tackled the challenge in fine fashion

Rodgers tackled the challenge in fine fashion
One yard the Ottawa Redblacks’ Diontae Spencer didn’t gain against the Saskatchewan Roughriders in Sunday’s CFL East Division semi-final turned out to be of greater importance than the 157 receiving yards he did amass.
Trailing 31-14, Ottawa was in a third-and-five situation on Saskatchewan’s 22-yard line with fewer than five minutes remaining in the fourth quarter.
Eschewing a field-goal attempt, Redblacks head coach Rick Campbell opted to gamble. Spencer was a logical target, considering that he had piled up 153 yards on eight receptions to that point.
Ottawa quarterback Trevor Harris found Spencer on a short crossing route. There was only one problem: Kacy Rodgers II had diagnosed the play.
The Roughriders cornerback tackled Spencer one yard shy of the first-down marker. The turnover on downs effectively secured the outcome, and a berth in this Sunday’s East final against the host Toronto Argonauts, for the Roughriders.
Ottawa finished with 500 yards of net offence, but 0.20 per cent of that amount — the one yard Spencer could not get — carried more weight.
“I think it was huge, especially because Spencer was having a great game against us — particularly me — up to that point,” Rodgers said after Wednesday’s practice at Carleton University.
“We changed the coverages a little bit, but we basically stuck to what we knew. Based on my keys, I had an idea somewhat of what he was going to run once he motioned down. I just took advantage of that and really just took my shot.
“If he had run anything else, I probably would have been in a little bit of trouble, but thank goodness he ran what I thought he would and I was able to come up and just make a good play.”
Earlier, it did not look promising for the 25-year-old son of New York Jets defensive co-ordinator Kacy Rodgers.
In the first quarter, Spencer had beaten the junior Rodgers for a 56-yard touchdown pass from Harris. The Redblacks then unveiled an oft-replayed touchdown celebration that included Spencer being held in the air, parallel to the ground, by Dominique Rhodes and Juron Criner. Another Ottawa receiver, Greg Ellingson, then did the limbo underneath Spencer.
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Former Vogue editor Alexandra Shulman: ‘I find the idea that there was a posh cabal offensive’

Former Vogue editor Alexandra Shulman: ‘I find the idea that there was a posh cabal offensive’
The former editor of Vogue took a recent trip to Sainsbury’s at 3pm. “And to me that was so interesting. I’ve not been in a supermarket on a weekday afternoon for 35, 40 years or something. I was just interested in who was in there, what people are buying, what the parking was like. I’m interested in all this stuff.”
Since standing down in June from the magazine she edited for 25 years, Alexandra Shulman has been having the loveliest time. She has taken holidays, attended cultural events and, she says: “I have that sort of slightly horrible sort of happy-clappy feeling about me, you know, smiling everywhere as if I’d found God. It’s not like I was longing to be free from Vogue,” she adds hastily. “I just thought, 25 years is such a huge amount of your life to spend sitting in the same building.”She greets me with a demob-happy glow of contentment. The 57-year-old pads around her north London home making coffee, and laughs that even something as mundane as replacing her faulty doorbell feels exotic. She looks surprised when I ask if she misses the power of her former position. “No, I’m not really interested in power. I am interested in having a voice.” By the time I leave, though, she is looking increasingly uneasy about how what she has to say will be received.
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How Melania Trump Has Embraced Luxury Fashion as First Lady

How Melania Trump Has Embraced Luxury Fashion as First Lady
For better or worse, the First Lady of the United States is an important figure in fashion, and Melania Trump is no exception.
Starting with the glamorous white bell-sleeved Roksanda dress she wore to give her viral speech at the Republican National Convention in 2016 to the $595 black snakeskin Manolo Blahnik stiletto heels she wore en route to the devastation wrecked by Hurricane Harvey in Texas, Melania’s wardrobe has given the public plenty to talk about.
While her predecessor Michelle Obama used her wardrobe as a way to highlight fresh, up-and-coming American designers (putting designers like Jason Wu on the map) and to connect with everyday citizens (Obama loved a deal at wallet-friendly J. Crew), Melania has taken a different approach.
As a former model, the First Lady hasn’t shied away from primarily sporting glamorous, high fashion ensembles by international designers and luxury brands, ranging from Gucci (who made her infamous debate “pussy bow” blouse) to Christian Dior.It’s an interesting sartorial choice given that many First Ladies in the past made a concentrated effort to wear primarily American fashion brands, occasionally using foreign fashion as a means of political diplomacy for a state dinner or the like; it’s even more interesting when one considers her husband’s vocal “Buy American, Hire American” stance.But perhaps like her husband — who wears Italian-made Brioni suits and tiesfrom his own brand that are made in China — Melania appears to have no issue turning to designers overseas to supply her wardrobe.It is also worth noting that many American fashion designers have been outspoken about the prospect of dressing the First Lady, with prominent designers like Marc Jacobs and Zac Posen stating that they had no interest in dressing Melania; in contrast, Italian designer Stefano Gabbana of Dolce & Gabbana, no stranger to political controversy himself, has been an ardent defender of the First Lady and counts himself as one of her biggest fans.
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The Zara workers’ protest shows why fast fashion should worry all of us

The Zara workers’ protest shows why fast fashion should worry all of us
If I search for #Zara on Instagram, I can see well over 22m posts of people wearing clothing that was bought from the retailer, everywhere from Dublin to Dubrovnik, New York to Newport. If you’re reading this in an office, I’d bet you a tenner that someone, somewhere in the building is wearing a Zara shirt or jacket. In the UK, Zara has been a high-street fixture since 1998, and has a growing number of stores. Millions of us have brought the brand into our homes – and so millions of us should be shocked and infuriated by reports that factory workers in Istanbul have been hiding notes in the clothes that they have been producing for one of Zara’s suppliers, pleading for help. One note apparently read: “I made this item you are going to buy, but I didn’t get paid for it.” The workers were reportedly left unpaid after their factory shut down overnight.
In 2013, Rana Plaza, a building in Bangladesh that housed five garment factories, collapsed, killing more than 1,100 people and injuring thousands more. At the time, the tragedy was believed to be a wake-up call, one that would permanently change the way that the goods we consume are produced. Yet just 17 brands have signed the Apparel and Footwear Supply Chain Transparency Pledge, and there has been a spate of fires in garment factories.
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It’s too easy to dismiss the complaints of underpaid workers as a women’s problem. When we do this, we don’t acknowledge that every one of us is part of the solution, regardless of gender. I know many men and women who are horrified by the way so many of our clothes are produced, and are doing their best to consume more carefully, by introducing no-spend months or ensuring that they only ever buy second-hand clothes. However, we need a much more effective solution, and something that can be implemented at a higher level.
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Pieces that are going to last’: Erdem x H&M collection hits stores

Pieces that are going to last’: Erdem x H&M collection hits stores
Leopard-print coats, pyjama sets and sequinned ballgowns are set to be the signifiers of style this party season if the launch of Erdem’s collaboration with H&M is anything to go by.
The highly anticipated collection went on sale on Thursday morning. And while there were queues from midnight on Wednesday at H&M shops nationwide, far from the pushing, shoving and even police cars seen at its previous launches, a ticketing system – splitting shoppers into 14 groups of 20 with 10-minute time slots from 9am to 12.30pm – resulted in a civilised atmosphere: queuers could get their wristbands, head off to a nearby coffee shop to warm up, and come back at their allotted time.
Erdem Moralıoğlu, who launched his eponymous label in 2005 and has since then dominated red carpets and fashion awards ceremonies around the world, is a favourite with the Duchess of Cambridge and with unofficial brand ambassadors including Alexa Chung and Keira Knightley.
This collaboration, his first for a high-street brand, is not as cheap as H&M’s previous designer collections – prices range from £17.99 for a pair of tights to £229.99 for a full-length lace dress – but is a far cry from his usual price tag which lingers around the £1,600 mark. It also marks Moralıoğlu’s first foray into menswear.
“When I found out that he was doing menswear for H&M only, that’s what made me say, ‘Okay I need to have a piece of that,’ because that may be the only time he’s ever going to do it and it might be a collectable piece,” said Marcio Norborto, 38, a loyal H&M collaboration shopper who thinks this one has raised the bar. “Fast fashion is exciting and nice but I want to buy something that lasts a bit longer.
“When [Erdem] was asked why his pieces were more expensive than other collaborations, he said because he wanted to be true to himself and for it to be the quality he wants. I hope he has stayed true to what he stands for with his brand – that’s what I hope I’m buying.”
The partnership has also attracted shoppers who might not usually be seen in one of the brand’s 4,133 stores, including Gemma Baker, 29, a sustainability consultant. “I’m not normally the type of person who would queue for hours for clothes and, honestly, I try not to shop H&M because of the fast-fashion issues, but I’m making a moral exception.
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“I feel like if I buy one of the pieces from this collection it’s going to last a long time. It’s more expensive than the other H&M designs which tend to be more disposable.”
Designer high-street collaborations, which first prompted pavement mania with H&M and Karl Lagerfeld’s union in 2004 and were followed up by sell-out edits by Rihanna for River Island and Kate Moss for Topshop, are now a stalwart of the British shopping scene. This year has already seen collaborations between JW Anderson and Uniqlo; Ashish and River Island; and Sophia Webster and Puma.
As ever, accessibility is a big draw for fashion fans on a budget. “It’s really amazing that H&M does it as it gives people who can’t afford the high-end stuff the opportunity to own a luxury item,” said Daniel Bishop, 29, an illustrator – and 3am arriver.
At a preview on Wednesday evening, which was attended by fellow London designer Christopher Kane, Moralıoğlu said he was “happy to see so many people liking the collection and wanting to buy it”
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Basics with Beau: How Sean Cassidy is Providing Longstanding Fashion For Millennials

Basics with Beau: How Sean Cassidy is Providing Longstanding Fashion For Millennials
Twenty years ago, Sean Cassidy opened a three-unit mens specialty store after having met Parisian designer Pierre Lafaurie. Inspired by Pierre's authentic menswear, which encapsulated Sean's interest, the latter proposed that he should be the sole distributer of the heritage brand within the United States. This fall, Sean Cassidy in conjunction with Pierre Lafaurie have decided to unite once again to deliver another wave of essential French fashion to be injected in lower Manhattan.
  Beau by Emile LafaurieA selection from Beau by Emile Lafaurie.Despite the fact that Pierre Lafaurie's label has remained faithful to itself, it has taken a new approach to the modern and young menswear consumer, and it plans to deliver on it's promise. This promise is a capsule collection dubbed "Beau" which aims to provide a discerning customer who is inspired by the concept of a shared passion for new trends. Whether it is a choice of technical fabric or other distinguishing features, the reference is clear that young men are embracing heritage, honesty, and craftsmanship that inherent in the enigma of menswear. The updated designs appeal to a young man with a diverse range of environments. These environments throughout the week are ones that do not change on a daily basis, but rather an hourly one. In addition to putting a new spin on these traditional designs, Emile Lafaurie's menswear has taken on a new marketing campaign with Sean Cassidy as their exclusive distributor in the US market. In collaboration through Beau, they have introduced a new capsule collection to appeal to a younger generation of menswear consumers. What is interesting about this line is that it consists of forty pieces of suit separates, shirts and sweaters (as well as assorted accessories) which can be worn interchangeably. The result of this line is a contemporary feel that is polished, professional, but not to0 pricey. It is apparent that conventional office attire is taking on different forms; As a result, this has enabled the youth market to overcome the triviality of uniformity. Due to the sudden and historically unrivaled plethora of options within the landscape of menswear apparel offerings, Beau sets out to create a collection that will assist a man in looking his most professional while developing his distinctive balance between traditional excellence, and modern savoir faire. We had the option to speak to Sean store owner and Beau partner, Sean Cassidy, about the significance of good relationships relative to garment manufacturing, the concept of labeling a mass-market in fashion consumers, and how to look into the optimistic future with a crystal ball. Read more at:purple bridesmaid dresses | red bridesmaid dresses uk